135 research outputs found
Introduction: new developments in Robert Burns bibliography
Get PDFIntroduces four talks given at the National Library of Scotland on March 16, 2017, at a workshop on New Developments in Robert Burns Bibliography, jointly convened by Robert Betteridge of the National Library and by Prof. Carruthers, as general editor of the AHRC-funded project Editing Robert Burns for the 21st Century, arguing that "every bit as much as literary criticism or textual editing, bibliographical studies need generational renewal.
W.S. Graham: ‘Born in a diamond screeched from a mountain pap’
Get PDFProvides a centenary reassessment of the Scottish poet W. S. Graham (1918-1986), increasingly recognized as a writer of enduring significance, both for Scottish poetry and for 20th century Modernist poetry more broadly, through close readings of poems from different phases of Graham’s writing career. An edited version of the Hugh MacDiarmid Lecture in March 2018 at the Scottish Poetry Library in Edinburgh
Jacobite Unionism
Get PDFThe matter of Jacobitism and the cause of the Stuarts are at the heart of the modern Scottish literary canon, from the songs of Burns via the novels of Scott to the era of Aytoun and Stevenson. Political Jacobitism between 1707 and 1745–6 was the primary vehicle for Scottish independence and anti-unionist sentiment. However, after the collapse of the Jacobite movement at Culloden, later generations of sentimental Jacobite writers, while continuing to be entranced by the romance of Stuart dynasticism, stood for a more pragmatic strain of political acceptance. Sentimental Jacobite writers did not challenge the Union per se, though they tended to subscribe to the view that it was—and should be—a partnership of equals. Scotland, they argued, was not a province of England, no mere Scotland-shire. Nevertheless, much of Scotland’s Jacobite, or more properly neo-Jacobite, literary canon embodied a sotto voice acceptance of the Union
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